THE ROLE OF THE VIEWER, AESTHETICS AND ORIGINS OF MODERN PAINTING - FRENCH - FRIED,M

被引：0

|

作者：

ROCHLITZ, R

机构：

来源：

CRITIQUE | 1991年 / 47卷 / 526期

关键词：

D O I：

暂无

中图分类号：

I0 [文学理论];

学科分类号：

0501 ; 050101 ;

摘要：

引用

收藏

页码：131 / 153

页数：23

相关论文

共 50 条

[1] AESTHETICS AND ORIGINS OF MODERN PAINTING, VOL 2, THE REALISM OF COURBET - FRENCH - FRIED,M
ROCHLITZ, R
QUINZAINE LITTERAIRE, 1994, (640): : 19 - 20
[2] Aesthetics and origins of modern painting, vol 3, The modernism of Manet or the face of painting in the 1860s
Masanès, F
EUROPE-REVUE LITTERAIRE MENSUELLE, 2001, 79 (861-62) : 324 - 325
[3] THE ORIGINS OF MODERN GRAMMAR - FRENCH - DOMINICY,M
SOUTET, O
REVUE DE LINGUISTIQUE ROMANE, 1987, 51 (203-04): : 555 - 556
[4] The place of the spectator, the realism of Courbet, the modernism of Manet. Aesthetics and origins of modern painting
Marie, D
REVUE D ESTHETIQUE, 2001, (40): : 198 - 200
[5] ORIGINS OF MEDIEVAL AESTHETICS - FRENCH - GRABAR,A
不详
HISTOIRE, 1993, (167): : 61 - 61
[6] THE ARTIST AND THE COURT - ORIGINS OF THE MODERN ARTIST - FRENCH - WARNKE,M
MEROT, A
REVUE DE L ART, 1990, (89): : 84 - 85
[7] THE ORIGINS OF MODERN FRENCH AESTHETICS - FROM CLASSICAL REASON TO CREATIVE IMAGINATION, 1680-1814 - FRENCH - BECQ,A
EHRARD, J
ETUDES LITTERAIRES, 1989, 22 (03): : 155 - 159
[8] THE ORIGINS OF MODERN FRENCH AESTHETICS - FROM CLASSIC REASON TO CREATIVE IMAGINATION 1680-1814 - FRENCH - BECQ,A
BOWMAN, FP
FRENCH FORUM, 1986, 11 (03) : 374 - 375
[9] THE ARTIST AND THE COURT - FROM THE ORIGINS TO THE MODERN ARTIST - FRENCH - WARNKE,M
CHATELET, A
BULLETIN MONUMENTAL, 1991, 149 (01): : 137 - 138
[10] ABSORPTION AND THEATRICALITY - PAINTING AND BEHOLDER IN THE AGE OF DIDEROT - FRIED,M
CONRAD, P
AMERICAN SCHOLAR, 1982, 51 (02) : 282 - &

← 1 2 3 4 5 →