Avant-garde as a liminal form of culture

被引：0

作者：

Girin, Yu N. ^{[1
,2
]}

机构：

[1] RAS, Inst World Literature, Sci Philol, Moscow, Russia

[2] RAS, Inst World Literature, Dept Literature Europe & Amer Modern Times, Moscow, Russia

来源：

DIALOG SO VREMENEM-DIALOGUE WITH TIME | 2013年 / 42期

关键词：

avant-garde; shift; transgression; liminality; permutation; radicalism; victimization; thanatology; utopia; cosmogony;

D O I：

暂无

中图分类号：

K [历史、地理];

学科分类号：

06 ;

摘要：

The author suggests that the avant-garde of the early 20th c. represented one of the greatest boundaries in the world art history. It signified a replacement of the traditional 'quietist' world view by a new, unprecedented image of the world. The meanings were 'shifted' from the positions they had been ascribed by the old world view, a new symbolism emerged, forms and meanings changed, and this change was conceptualized by the Russian avant-garde as a 'shift' (A. Kruchenykh), or alogism' (K. Malevich), and by the French avant-garde - as 'movement', 'transgression' (A. Breton), depaysement (J. Ortega y Gasset).

引用

页码：46 / +

页数：23