ON ASPECTS OF SARTRE'S DRAMATURGY

被引：0
|
作者：
Raicevic, Vasko [1 ]
机构：
[1] Inst Crnogorski Jezik & Jezikoslovlje, Belgrade, Serbia
来源：
LINGUA MONTENEGRINA | 2009年 / 4卷
关键词：
Sartre; philosophical drama; theatre of situation; existentialism; anxiety (Angst); theatre of ideas;
D O I：
暂无
中图分类号：
H [语言、文字];
学科分类号：
05 ;
摘要：
In comparison to traditional dramaturgy, which starts from a situation and develops an idea from it in an indirect manner, Jean-Paul Sartre takes the opposite direction. An idea is set in advance and the writer's task is to develop a situation in which the idea will be best expressed. Profiles of his characters are not determined by their past, thoughts or wishes - because Sartre does not believe that this is what constitutes a person - they are developed on the scene, depending on the choices they make. Sartre transforms a notion of "situation of a man" into an aesthetic form he calls theatre of situation.
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页码：449 / 454
页数：6
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