Currently, several theorists have discussed the relevance of historiographic metafiction to record the collective memory of certain civilizations in various historical contexts. This paper aims to provide a brief analysis of the Angolan literary production in recent decades, such as the reading of O vendedor de passados by Jose Eduardo Agualusa. Therefore, the objective is to see how the relationship between literature and history appears in contemporary African setting, particularly in Angola - taking into account, specifically, how such narratives have a very thin gap between the "real" and "invented".