Limits of Film Language in the Experimental Cinema in Late-Francoism

被引：1

作者：

Deltell Escolar, Luis ^{[1
]}

Garcia Crego, Juan ^{[2
]}

机构：

[1] Univ Complutense Madrid, E-28040 Madrid, Spain

[2] Univ Complutense Madrid, Fac Ciencias Informac, E-28040 Madrid, Spain

来源：

ESCRITURA E IMAGEN | 2015年 / 11卷

关键词：

Experimental Cinema; Spanish Cinema; Isidoro Valcarcel Medina; Pere Portabella; Paulino Viota;

D O I：

10.5209/rev_ESIM.2015.v11.50966

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

In the last years of the Franco dictatorship, Late-Francoism, three filmmakers and artists filmed three experimental movies: Contactos (Paulino Viota, 1970), Vampir-Cuadecuc (Pere Portabella, 1970) y La celosia (Isidoro Valcarcel Medina, 1972). These movies explore what the meanings of the Cinema. Viota, Portabella y Valcarcel Medina attempted to find the limits of the Film Language.

引用

页码：65 / 76

页数：12