Carl Einstein and the heuristic threshold of Painting

被引：0

作者：

de Luelmo Jareno, Jose Maria ^{[1
]}

机构：

[1] Univ Politecn Valencia, Valencia, Spain

来源：

DAIMON-REVISTA INTERNACIONAL DE FILOSOFIA | 2014年 / 61期

关键词：

painting; forces; cubism; metamorphosis; subject; reception;

D O I：

10.6018/daimon/163851

中图分类号：

B [哲学、宗教];

学科分类号：

01 ; 0101 ;

摘要：

Throughout history the relationship between philosophy and painting has drawn round trips that have borne fruit in theories and works closely intertwined. Particular interest have, in this sense, the contributions of the German theorist Carl Einstein, prominent member of the first Vanguard and author of a highly original reading of the painting marked by an acute antikantism and by the Empiriocriticism of Ernst Mach. According to Einstein, the simultaneous dilution of subject and object in the process of creation and reception of painting is capable of operating major changes in the individual and, in full harmony with the ideals of the Vanguard, in the very configuration of reality.

引用

页码：23 / 37

页数：15