The Role of Location in Everyday Experiences of Music

被引:17
作者
Krause, Amanda E. [1 ]
North, Adrian C. [1 ]
Hewitt, Lauren Y. [1 ]
机构
[1] Curtin Univ, Sch Psychol & Speech Pathol, GPO Box U1987, Perth, WA 6845, Australia
来源
PSYCHOLOGY OF POPULAR MEDIA CULTURE | 2016年 / 5卷 / 03期
关键词
music; experience sampling method; everyday life; location; choice;
D O I
10.1037/ppm0000059
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
Mehrabian and Russell's (1974) Pleasure-Arousal-Dominance model states that a propensity to approach/avoid an environment can be conceptualized in terms of the pleasure and arousal it elicits and one's degree of dominance therein. Using the Experience Sampling Method, 177 individuals provided responses concerning Mehrabian and Russell's model throughout 1 wk regarding music experiences that occurred in their daily life (including how the music was heard and how their responses related to the listening location). Results indicate that the time of day and day of week are related to where music is experienced, and that the consequences of what was heard are related to both time and location. Although music was experienced more often in private locations than in public overall, interesting patterns of music experiences that occurred in public locations demonstrate in detail how music listening varies by location. Specifically, portable devices were associated with positive responses, which contrasted sharply with the responses to music broadcasted publicly in public settings. Participants' ratings of choice, liking, and arousal demonstrated the importance of considering choice as an indication of dominance, such that music usage is consistent with Mehrabian and Russell's model, and has functions that vary according to the specific characteristics of the situation.
引用
收藏
页码:232 / 257
页数:26
相关论文
共 39 条
[1]   Let the music play or not: The influence of background music on consumer behavior [J].
Andersson, Pernille K. ;
Kristensson, Per ;
Wastlund, Erik ;
Gustafsson, Anders .
JOURNAL OF RETAILING AND CONSUMER SERVICES, 2012, 19 (06) :553-560
[2]  
Bull M., 2007, SOUND MOVES IPOD CUL
[3]   OPTIMAL EXPERIENCE IN WORK AND LEISURE [J].
CSIKSZENTMIHALYI, M ;
LEFEVRE, J .
JOURNAL OF PERSONALITY AND SOCIAL PSYCHOLOGY, 1989, 56 (05) :815-822
[4]   Are emotions consequences of affective expectations? A commentary essay [J].
Desmet, Pierre .
JOURNAL OF BUSINESS RESEARCH, 2010, 63 (08) :903-904
[5]   STORE ATMOSPHERE AND PURCHASING BEHAVIOR [J].
DONOVAN, RJ ;
ROSSITER, JR ;
MARCOOLYN, G ;
NESDALE, A .
JOURNAL OF RETAILING, 1994, 70 (03) :283-294
[6]  
Eerola T, 2013, MUSIC PERCEPT, V30, P307, DOI [10.1525/mp.2012.30.3.307, 10.1525/MP.2012.30.1.49]
[7]   Exploring engagement with music in everyday life using experience sampling methodology [J].
Greasley, Alinka E. ;
Lamont, Alexandra .
MUSICAE SCIENTIAE, 2011, 15 (01) :45-71
[8]  
Hargreaves DJ, 2010, HDB MUSIC EMOTION TH, P515
[9]   Mobile listening situations in everyday life: The use of MP3 players while travelling [J].
Heye, Andreas ;
Lamont, Alexandra .
MUSICAE SCIENTIAE, 2010, 14 (01) :95-120
[10]   APPROACH-AVOIDANCE BEHAVIORS AS A FUNCTION OF PLEASANTNESS AND AROUSING QUALITY OF SETTINGS AND INDIVIDUAL-DIFFERENCES IN STIMULUS SCREENING [J].
HINES, M ;
MEHRABIAN, A .
SOCIAL BEHAVIOR AND PERSONALITY, 1979, 7 (02) :223-233