Movies about the Spanish "Maquis": from the Official History to the Historical Memory

被引:1
作者
Martinez Alvarez, Josefina [1 ]
机构
[1] Univ Nacl Educ Distancia, Madrid, Spain
来源
CUADERNOS DE HISTORIA CONTEMPORANEA | 2012年 / 34卷
关键词
Cinema; Anti-Franquism Guerrilla Warfare; Franquism; Maquis; Cinematographic Censore; Historical memory;
D O I
10.5209/rev_CHCO.2012.v34.40069
中图分类号
K [历史、地理];
学科分类号
06 ;
摘要
The cinema, both as documental source and as a part of History, provides a specific point of view on the "Maquis" subject. The present manuscript focus on the evolution of this character since the fifties until nowadays, which has changed accordingly to the different political landscapes that had gone through Spain: during early Franquism their image starts as wrong and regretted individuals that yields to partizans and assasins; in the late Franquism their image achieved a reasonable recognisement. The study of the Censorship files during this period illustrates how the paths followed by the projects about these guerrilla were. During the Transition, the Maquis turn up sometimes into survivals, even in heroes. Most directors have claim a place in history for the fight of this antifranquism guerrilla, first biased to pass through the franquism censorship and lately in the Democracy in a plain way.
引用
收藏
页码:225 / 250
页数:26
相关论文
共 37 条
  • [1] AGUADO Francisco, 1975, EL MAQUIS EN ESPANA, P19
  • [2] AGUILAR FERNANDEZ Paloma, 1996, MEMORIA OLVIDO GUERR, P104
  • [3] ALEGRE Sergio, 1994, CINE CAMBIA HIST IMA, P298
  • [4] AMO Alfonso del, 1996, CATALOGO GEN CINE GU
  • [5] [Anonymous], 1960, HIST PARTIDO COMUNIS, P257
  • [6] [Anonymous], 2007, EL MUNDO
  • [7] AROSTEGUI Julio, 2008, ULTIMO FRENTE RESIST, P29
  • [8] Berthier N., 2012, RETORICAS MIEDO IMAG
  • [9] CAMINO Mercedes, 2011, IMAGOFAGIA, V4, P9
  • [10] COMAS Angel, 2003, MI BONN CULT MOVIES, P56