Blendings of Real, Fictional, and Other Imaginary People

被引:2
作者
Bacon, Henry [1 ]
机构
[1] Univ Helsinki, Film & Televis Studies, Helsinki, Finland
关键词
blending; character construction; imagination; motivation; off-line simulation; partial identification;
D O I
10.3167/proj.2009.030105
中图分类号
J9 [电影、电视艺术]; I235 [电影、电视、广播剧];
学科分类号
摘要
Evolution has equipped us with the ability to conceive of people and their actions in hypothetical, purely fictional, and fantastic scenarios. The way we conceive of real people, the way we make sense of fictional character, and the way we process needs and desires related to other people in our fantasies are all interconnected with one another. These are all instances of blending, often based on rather minimal direct information but supported by shared character-related schemata and mental simulation, the latter typically eliciting a degree of partial identification. The structural relationships and inter-connectedness between these three processes can be examined in terms of the formalist notion of motivation.
引用
收藏
页码:77 / 99
页数:23
相关论文
共 20 条
  • [1] [Anonymous], 1971, WORLD VIEWED REFLECT
  • [2] Bordwell D., 1985, NARRATION FICTION FI
  • [3] Bordwell David, 2008, POETICS CINEMA, P327
  • [4] Carroll N., 1998, PHILOS MASS ART
  • [5] Currie Gregory, 2002, RECREATIVE MINDS
  • [6] Currie Gregory, 1995, IMAGE MIND B FILM PH
  • [7] Donald Merlin, 2001, MIND SO RARE EVOLUTI
  • [8] Fauconnier Giles, 2002, WAY WE THINK CONCEPT, DOI DOI 10.5860/CHOICE.40-1223
  • [9] Grodal Torben, 1997, MOVING PICTURES NEW
  • [10] Hitchcock A., 1958, VERTIGO