THE FUNCTION OF MOTIFS IN LUDWIG VAN BEETHOVEN'S SONATA FOR VIOLIN AND PIANO

Motivic relations in Violin Sonatas of L.v. Beethoven, is possible to see through four treatment: 1. thematic plan build up from differrent motifs; 2. realization of themathicism from one motif; 3. existing few motifs, with a predominant one; 4. concatenating of non-equivalent motifs. Quoted motivic treatments have been considered through one typical pattern, while the rest of them are distributed in suggested clarification.