Bodies in Transition Girlhoods in Post-Communist Balkan Cinema

In this article, I explore how post-Communist teenagers are represented in cinema, especially in relation to consumption, by examining the Serbian film, Klip and the Romanian film, Ryna. In so doing, I analyze the representation of fatherhood in relation to these teenagers, and the representation of teenage sexuality. I examine these teenage bodies in transition within the broader scenario of countries in transition, thus making a comparison between the relationship to the West of the individual and of the region.