HUMAN BEING TRANSCENDING ITSELF: CREATIVE PROCESS IN ART AS A MODEL OF OUR RELATION TO THE ULTIMATE REALITY

被引:1
作者
Mistrik, Erich [1 ]
机构
[1] Comenius Univ, Fac Educ, Civ & Eth Educ Dept, Racianska 59, Bratislava 81334, Slovakia
来源
HUMAN AFFAIRS-POSTDISCIPLINARY HUMANITIES & SOCIAL SCIENCES QUARTERLY | 2011年 / 21卷 / 02期
关键词
ultimate reality; art; creative process; aesthetics; civil life;
D O I
10.2478/s13374-011-0014-8
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
The paper reviews some of the links between the notion of "ultimate reality" and everyday life, mainly art, beauty, the creative processes in art, and citizenship. If, according to M. Heidegger, art reveals the truth of being (i.e., also of ultimate reality), then we may find some historical descriptions of creative processes that are very close to descriptions of ultimate reality. Three examples of these kinds of descriptions are discussed (Abhinavagupta, St. Augustine, F. Engels). The final aim is to show how the interpretation of ultimate reality can contribute to a better understanding of the creative process in art. These considerations can also throw light on one particular aspect of civil life-the relations between everyday life and its final goals. If we are to gain an understanding of the relations between ultimate reality, art and civil life, then the disciplines of aesthetics, philosophy, history and anthropology, and cultural history should all contribute together.
引用
收藏
页码:119 / 128
页数:10
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