THE MUSICAL SOUNDSCAPE AS A CONTEST AREA - ORIENTAL MUSIC AND ISRAELI POPULAR-MUSIC

[1] [Anonymous], 1988, STATUS POWER CONFLIC

[2] THE FIELD OF CULTURAL PRODUCTION, OR THE ECONOMIC WORLD REVERSED [J]. POETICS, 1983, 12 (4-5) : 311 - 356

[3] COHEN E, 1972, JEWISH J SOCIOL, V14, P93

[4] COHEN E, 1985, POPULAR MUSIC, V5

[5] Eco U., 1977, THEORY SEMIOTICS

[6] FABBRI F, 1982, POP MUSIC, V2, P131

[7] MEDIA IMPERIALISM - AN ASSESSMENT [J]. MEDIA CULTURE & SOCIETY, 1981, 3 (03) : 281 - 289

[8] Fiori Umberto, 1984, POPU LAR MUSIC, P261

[9] LAING D, 1985, ONE CHORD WONDERS PO

[10] RO SING H, 1984, POP MUSIC, V4, P119, DOI [10.1017/S026114300000619X, DOI 10.1017/S026114300000619X]

[1] [Anonymous], 1988, STATUS POWER CONFLIC

[2] THE FIELD OF CULTURAL PRODUCTION, OR THE ECONOMIC WORLD REVERSED [J]. POETICS, 1983, 12 (4-5) : 311 - 356

[3] COHEN E, 1972, JEWISH J SOCIOL, V14, P93

[4] COHEN E, 1985, POPULAR MUSIC, V5

[5] Eco U., 1977, THEORY SEMIOTICS

[6] FABBRI F, 1982, POP MUSIC, V2, P131

[7] MEDIA IMPERIALISM - AN ASSESSMENT [J]. MEDIA CULTURE & SOCIETY, 1981, 3 (03) : 281 - 289

[8] Fiori Umberto, 1984, POPU LAR MUSIC, P261

[9] LAING D, 1985, ONE CHORD WONDERS PO

[10] RO SING H, 1984, POP MUSIC, V4, P119, DOI [10.1017/S026114300000619X, DOI 10.1017/S026114300000619X]