Lessons of noise and silence: avant-garde cinema and experimental music in Australia

被引：2

作者：

Martin, Adrian ^{[1
]}

机构：

[1] Monash Univ, Film & Televis Studies, Clayton, Vic, Australia

来源：

STUDIES IN AUSTRALASIAN CINEMA | 2007年 / 1卷 / 02期

关键词：

avant-garde; experimental; music; sound; rhythm;

D O I：

10.1386/sac.1.2.223_1

中图分类号：

J9 [电影、电视艺术]; I235 [电影、电视、广播剧];

学科分类号：

摘要：

This article is an historical survey of Australian experimental cinema from the 1960s to the present day organized around the use of music and sound. Six aesthetic categories are distinguished: film as backdrop to live music; live music as backdrop to film; pre-recorded music as a 'bed' for images; images as a bed for prerecorded music; disjunction between image and sound; image-sound fusion. The debate over the effects of musical rhythm in cinema is discussed.

引用

页码：223 / 234

页数：12

共 11 条

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[2] Brophy P, 2004, 100 MODERN SOUNDTRAC
[3] Cantrill A., 1971, CANTRILLS FILMNOTES, V4, P11
[4] Chion Michel, 1994, AUDIO VISION SOUND S
[5] Clayden J, 2006, COMMUNICATION
[6] Green M., 1987, CANTRILLS FILMNOTES, V53, P16
[7] Lorimar M., 1983, NEGAPOSITIVE, P9
[8] MARTIN A, 2000, TRAFIC, V34, P43
[9] Martin A., 1998, PARKETT, V53, P20
[10] Lessons of noise and silence: avant-garde cinema and experimental music in Australia
Martin, Adrian
[J]. STUDIES IN AUSTRALASIAN CINEMA, 2007, 1 (02) : 223 - 234

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