THE SPANISH THEATER ON APPROPRIATION OF CHILDREN. THE STAGING AS A SPACE FOR IDENTITY AND MEMORY

被引：0

作者：

Souto, Luz C. ^{[1
]}

机构：

[1] Univ Valencia, Valencia, Spain

来源：

452 F-REVISTA DE TEORIA DE LA LITERATURA Y LITERATURA COMPARADA | 2014年 / 10期

关键词：

Appropriation of Children; Francoism; Theatre; Memory;

D O I：

暂无

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

More than ten years after Ricard Vinyes' research on lost children during Francoism, it is possible to set up a picture of the impact of this subject in Spanish narrative and theater. While the presence of the historiographical discourse persists in the treatment of both genres, drama overcomes the factual basis by introducing more dreamlike and spectral characters. Such is the case of Rael Hernandez Garrido's Si un dia me olvidaras and Los niaos perdidos by Laila Ripoll. The Argentinian precedent will frame this discussion, since it has been used as a reference not only for historical research but also for the literary representation of the issue of stolen children during Franco's dictatorship in Spain.

引用

页码：50 / 66

页数：17