Theatricality in the Bible and the Bible in the theater. Missing links

被引:0
作者
Trebolle Barrera, Julio [1 ]
机构
[1] Univ Complutense Madrid, Madrid, Spain
关键词
Bible; tragedy; book of Job; King Lear; Don Quixote; Salome;
D O I
10.5209/rev_ILUR.2013.v18.43049
中图分类号
B9 [宗教];
学科分类号
010107 ;
摘要
The texts of the Bible treasure a high amount of theatrical potential. Thus, the book of Job constituted the basis of the Theatrum Mundi. Nevertheless, the Jewish and Christian conception of the world and history, despite its tragedies and Passions, is far removed from Greek tragedy. The figure of Job constitutes a contrast to the tragic in King Lear. An exorcistic formula from the Bible appears in Hamlet, Macbeth, and in plays of the Faustian theme -El magico prodigioso and Marlowe's and Goethe's Fausts-, as well as, surprisingly, in Don Quixote and in many other plays where the devil appears on stage. Oscar Wilde's Salome finds inspiration in the language of Song of Songs and of apocalyptic prophecies. Rituality and sacredness are common to the Bible and theatre in the quest for representation of the invisible through the visible.
引用
收藏
页码:219 / 238
页数:20
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