The Time of Drama in Nietzsche and Deleuze: A Life as Performative Interaction

被引:2
作者
Boehler, Arno [1 ]
机构
[1] Univ Wien, Vienna, Austria
关键词
Zarathustra; eternal return; caesura; syntheses of time; drama; Deleuze;
D O I
10.3366/E1750224110000826
中图分类号
B [哲学、宗教];
学科分类号
01 ; 0101 ;
摘要
Nietzsche's model of eternal return triggers a drama of affirmation, the overcoming of a simple miming of our ancestors in favour of an active participation in the counter-actualisation of hidden potentials in recurrent events. Based on a close study of Zarathustra's struggle to free himself from a suffocating nihilism, the paper focuses on the revelatory caesura that ushers in what Deleuze calls the third synthesis of time, a time of 'doing' rather than reflection.
引用
收藏
页码:70 / 82
页数:13
相关论文
共 5 条
[1]  
Agamben Giorgio, 1999, POTENTIALITIES
[2]  
[Anonymous], 1980, SAMTLICHE WERKE KRIT
[3]  
Deleuze G., 1994, DIFFERENCE REPETITIO
[4]  
Nietzsche F.W., 1995, THUS SPOKE ZARATHUST
[5]  
Nietzsche Friedrich, 1999, SAMTLICHE WERKE KRIT, V5, P347