The destruction of the anthropomorphic status of the narrator in the work of Juan Jose Saer

This work proposes a hypothesis that tries to stick to the singularity of every narrator in the work of Juan Jose Saer. For that, it traces a genealogy of Saer's narrative instance as amazing voice. The proposed category suggests thinking about the Saer's narrator as a relationship between conscience and world where both the consistency of objectivity, an estimation of the realist novel, and the consistency of subjectivity, an estimation of the vanguard novel, are dissolved. The Saer's narrator sets a kind of interrogation that tries to separate the narrative truths, even the negative ones, to work on the flat ground of experience, understanding by this the relationship between oneself without subjectivity and a material world that can be deduced of its objectifying determinations.