Weaving and Warping: Free Indirect Movements Between Theory and Art Practice

被引：0

作者：

Knox-Williams, Charlotte ^{[1
]}

机构：

[1] Univ Southampton, Winchester Sch Art, Southampton, Hants, England

来源：

DELEUZE STUDIES | 2012年 / 6卷 / 01期

关键词：

Bergson; theory; art practice; time-image; (in)attentive memory;

D O I：

10.3366/dls.2012.0048

中图分类号：

B [哲学、宗教];

学科分类号：

01 ; 0101 ;

摘要：

Through an exploratory interrelation of theory with fine art practice, this article sets out to address the role of memory in the transitions and transformations between smooth and striated states. The article constructs a striated, woven formation between virtual and acquired memory, and attentive and inattentive perception, before going on to investigate how its regularity is disrupted through disturbances, slippages and snags.

引用

页码：89 / 102

页数：14