New music: reconnecting the audiences

Since the beginning of the 20th Century, coinciding with the appearance of the atonality and the II School of Vienna, the classical cultivated music has experienced a growing separation from its audiences. Some of the causes have to be found in the greedy and unfair competition of commercial music, the survival of certain cliches and the excessive intellectualization of language. The worst consequence is the lack of communication The will to find solutions to this serious problem has led us to hypothesize on how to recover this fundamental artistic relationship. We have reviewed the social and functional bases of music, have tried to update the process of implicit communication, and have experienced in the field. From all this we have organized a clear proposal for a possible new approach to facilitate the relationship between audience and composer