Monks and hermits are frequently mentioned in courtly romances. It is an unresolved problem whether these are real men or the product of literary imagination. The monks and hermits of love literature do evolve over time: whereas in the twelfth century they are predominantly monastic figures, later they are laymen. This article examines the literary image of the monk and hermit, including their role as advocates of marital fidelity, and asks how effective these models were for contemporary Christians, especially in cases where poets abandoned their secular life to become monks and hermits. With the rise of the friars traditional literary images were not abandoned. Emphasis is placed on the role of the hermit as a symbol of the quest for divine love. © 1992.