The Emergence of a Digital Cinema

被引：0
作者：
Roger B. Wyatt
机构：
[1] Emporia State University,
来源：
Computers and the Humanities | 1999年 / 33卷
关键词：
aesthetic; cinema; Desktop Video; digital; DTV; film; information; McLuhan; paradigms; production;
D O I：
暂无
中图分类号：
学科分类号：
摘要：
Paradigmatic change is driving aesthetic change in cinema. This restructuring is not only transforming what is on the screen, but the means of production that put it there. The interplay of technology and culture, along with their dynamics has made this so. Marshall McLuhan's Laws of Media provide an effective lens with which to examine this change. Some preliminary observations on the shape of digital cinema are offered. However to paraphrase Al Jolson, you ain't seen nothin' yet.
引用
收藏
页码：365 / 381
页数：16
相关论文
共 50 条
  • [31] New trends in digital marketing emergence during pandemic times
    Alsukaini, Ali Khalaf Mohammed
    Sumra, Kalsoom
    Khan, Ruqia
    Awan, Tahir Mumtaz
    INTERNATIONAL JOURNAL OF INNOVATION SCIENCE, 2023, 15 (01) : 167 - 185
  • [32] Bacteria and vampirism in cinema
    Castel, O.
    Bourry, A.
    Thevenot, S.
    Burucoa, C.
    MEDECINE ET MALADIES INFECTIEUSES, 2013, 43 (09): : 363 - 367
  • [33] The influence of cinema on painting
    Manghani, Sunil
    JOURNAL OF CONTEMPORARY PAINTING, 2015, 1 (01) : 123 - 146
  • [34] Revolutionary cinema: an annotated bibliography of the 1989 and 1991 revolutions through the lens of cinema
    Shaffer, Christopher
    Casey, Olga
    COLLECTION AND CURATION, 2021, 40 (02) : 51 - 57
  • [35] Digital technologies and accounting quantification: The emergence of two divergent knowledge templates
    Berlinski, Elise
    Morales, Jeremy
    CRITICAL PERSPECTIVES ON ACCOUNTING, 2024, 98
  • [36] The emergence of digital reformatting in the history of preservation knowledge: 1823-2015
    Lischer-Katz, Zack
    JOURNAL OF DOCUMENTATION, 2022, 78 (06) : 1249 - 1277
  • [37] Forensic Characterization of Camcorded Movies: Digital Cinema vs. Celluloid Film Prints
    Rolland-Neviere, Xavier
    Chupeau, Bertrand
    Doerr, Gwenael
    Blonde, Laurent
    MEDIA WATERMARKING, SECURITY, AND FORENSICS 2012, 2012, 8303
  • [38] Precarious life: cinema, ontology and the digital turn in Julie Taymor's Shakespeare films
    Lehmann, Courtney
    CAHIERS ELISABETHAINS, 2021, 105 (01): : 28 - 40
  • [39] DIGITAL SUTURES: Experimental Stop-Motion Animation as Future Horizon of Indigenous Cinema
    Dowell, Kristin L.
    CULTURAL ANTHROPOLOGY, 2018, 33 (02) : 189 - 201
  • [40] Innovation and Tradition in Indonesian Cinema
    Hanan, David
    THIRD TEXT, 2010, 24 (01) : 107 - 121
12345