Audio watermarking based on synergy between Lucas regular sequence and Fast Fourier Transform

被引:0
作者
Seyed Mostafa Pourhashemi
Mohammad Mosleh
Yousof Erfani
机构
[1] Islamic Azad University,Department of Computer Engineering, Dezful Branch
[2] McMaster University,Department of Electrical & Computer Engineering, AEL Group
来源
Multimedia Tools and Applications | 2019年 / 78卷
关键词
Audio watermarking; Lucas math series; Fast Fourier Transform; High capacity; Imperceptibility; Robustness;
D O I
暂无
中图分类号
学科分类号
摘要
The growth of digital technology over the recent years has led to increased sending and saving of electronic media. Taking advantage of digital works without observing copyright is always considered as an important threat for publishers. One of the techniques proposed for overcoming this threat is watermarking. Audio watermarking is one of the most challenging fields of watermarking, because detection of watermark in audio is much easier than in image. In this paper, a new approach is proposed for audio watermarking based on the values of energy levels in FFT domain. Despite preservation of imperceptibility and robustness, this method has also a very high capacity. The main idea of the proposed method is employing a regular embedding procedure on the basis of closing the energy of the sub-frames to Lucas math sequence, which is capable of embedding two bits in each audio frame. In addition, appropriate parameters values of the proposed approach such as frame-size and frequency-band are calculated by an intelligent recursive tuning process. Extraction process is done in a blind manner and without any need to the host original signal. In order to evaluate the proposed method, five types of audio files including Electronic, Classic, Jazz, Blues, and Rock audio files have been used in wave format. The results show that despite having a high watermarking capacity, the proposed method has a high imperceptibility and an acceptable robustness against the common attacks such as Noise Addition, 64 kbps MPEG Compression (MP3), FFT-Invert, Re-sampling etc., compared with the previous methods.
引用
收藏
页码:22883 / 22908
页数:25
相关论文
共 123 条
[11]  
El’arbi M(2009)Robust audio watermarking using improved TS echo hiding Digit Signal Process 19 809-852
[12]  
Amar CB(2017)Audio watermarking using Spikegram and a two-dictionary approach IEEE T Inf Foren Sec 12 840-6040
[13]  
Chen N(2015)Empirical mode decomposition based blind audio watermarking Multimed Tools Appl 74 6019-235
[14]  
Xiao HD(2015)Robust, transparent and high-capacity audio watermarking in DCT domain Signal Process 109 226-1911
[15]  
Chen ST(2017)Supplementary schemes to enhance the performance of DWT-RDM-based blind audio watermarking Circ Syst Signal Pr 36 1890-123
[16]  
Huang HN(2014)Variable-dimensional vector modulation for perceptual-based DWT blind audio watermarking with adjustable payload capacity Digit Signal Process 31 115-327
[17]  
Chen CJ(2014)Perceptual-based DWPT-DCT framework for selective blind audio watermarking Signal Process 105 316-1861
[18]  
Tseng KK(2015)Cepstral analysis for the application of echo-based audio watermark detection IEEE T Inf Foren Sec 10 1850-242
[19]  
Tu SY(2016)Twenty years of digital audio watermarking—a comprehensive review Signal Process 128 222-208
[20]  
Chen ST(2015)Optimization-based embedding for wavelet-domain audio watermarking J Signal Process Syst 80 197-460