Vigilant visualities: The watchful politics of the war on terror

被引：120

作者：

Amoore, Louise ^{[1
]}

机构：

[1] Univ Durham, Dept Geog, Durham DH1 3HP, England

[2] Univ Durham, Inst Hazard & Risk Res, Durham DH1 3HP, England

来源：

SECURITY DIALOGUE | 2007年 / 38卷 / 02期

关键词：

surveillance; visuality; war on terror; homeland security; Crash;

D O I：

10.1177/0967010607078526

中图分类号：

D81 [国际关系];

学科分类号：

030207 ;

摘要：

This article engages with a form of visual culture that is, W. J. T. Mitchell (2002: 170) reminds us, 'not limited to the study of images and media', but extends also 'to everyday practices of seeing and showing'. In the spirit of this openness to multiple manifestations of the domain of the visual and visual practices, the article explores how a particular mode of vigilant or watchful visuality has come to be mobilized in the 'homefront' of the so-called war on terror. In homeland security programmes from border and financial screening to Highway Watch, how has sight become represented as the sovereign sense on the basis of which security decisions can be taken? Taking its illustrative cue from Paul Haggis's film Crash, and from a body of work that conceives of touch as 'integral to' seeing, the article asks how we might subvert watchful politics by seeing seeing differently.

引用

页码：215 / 232

页数：18

共 34 条

[1]

Agamben Giorgio., 2005, STATE EXCEPTION

[2] Governance, risk and dataveillance in the war on terror [J].