Les musulmanes de Soumission face au marche cognitif

Presumably guilty of an " increasing visibility", the ostentatious presence of Muslim women in the streets of France participates, in Michel Houellebecq's novel Soumission, in this fashionable jeremiad announcing the slow and painful decadence of France and the West. In burqa, veiled or naked, they are the actors of an insidious implementation of a new word in the old one which does not go without leaving scares. Arab women painted as both conquerors and submissive would be the translation of a French historical awareness marked by a surrender to a creeping islam. In the light of the sociological work of Gerald Bronner, this article proposes to think and evaluate the stereotypical representation of the Muslim woman as pernicious contribution to a cognitive market where the most risky beliefs are competing.