Nature and purpose of visual artifacts in design science research

被引:3
作者
Antunes, Pedro [1 ]
Nguyen Hoang Thuan [2 ]
Johnstone, David [3 ]
机构
[1] Univ Lisbon, Fac Ciencias, LASIGE, P-1749016 Lisbon, Portugal
[2] RMIT Univ Vietnam, Sch Business & Management, 702 Nguyen Van Linh Dist 7, Ho Chi Minh City, Vietnam
[3] Victoria Univ Wellington, Sch Business & Govt, 23 Lambton Quay, Wellington 6140, New Zealand
关键词
Visual artifacts; Design science; Design knowledge; Visualization of thought; DECISION-SUPPORT-SYSTEM; INFORMATION-SYSTEMS; FRAMEWORK; KNOWLEDGE; METHODOLOGY; MODEL; PRINCIPLES; SENSE; COLLABORATION; ARCHITECTURE;
D O I
10.1007/s10257-022-00559-2
中图分类号
F [经济];
学科分类号
02 ;
摘要
Design science is a recognized information systems research paradigm, which is fundamentally centered on problem solving through technology design. The design process involves reflexive thinking and exploration and is usually supported by a variety of visual artifacts, which facilitate structuring, combining, and communicating design knowledge. Visual artifacts are among possible main contributions of a design science endeavor. In this study, we analyze the nature and purpose of such visual artifacts. We adopt semiotics and a theory of visualization of thought, in combination with a literature review, to elaborate a framework of design science visual artifacts. We consider three domains of analysis: intentionality, form-and-function, and visual scheme. We demonstrate the applicability of the framework using two examples. Finally, we define a set of properties that researchers should consider when creating and using visual artifacts in design science: transparency of the relationship between representation and object, self-sufficiency of the visual artifact, and consistency of knowledge communication. The proposed framework helps researchers understand what properties should be focused on when developing their visual artifacts.
引用
收藏
页码:515 / 550
页数:36
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