Here, Claire Cochrane, who teaches at University College, Worcester, narrows the focus to a particular British city and the role over time of a specific theatre in relation to its urban setting. Her subject is the history and development of the Birmingham Repertory Theatre in relation to the city-of which its founder, Bary Jackson, was a lifelong resident-as an outcome of the city's growth in the wake of the Industrial Revolution, which made it distinctive in terms of its manufactures, the workers and entrepreneurs who produced them, and a civic consciousness that was disputed yet also shared. She traces, too, the transition between old and new theatre buildings and spaces which continued to reflect shifting class and cultural relationships as the city, its politicians, and its planners adapted to the second half of the twentieth century.