The drama of medieval liturgical processions

被引：7
作者：
Reynolds, RE [1 ]
机构：
[1] Univ Toronto, Pontifical Cent Medieval Studies, Toronto, ON, Canada
来源：
REVUE DE MUSICOLOGIE | 2000年 / 86卷 / 01期
关键词：
D O I：
10.2307/947285
中图分类号：
J6 [音乐];
学科分类号：
摘要：
In this paper a number of various theories as to the growth of medieval drama and its definition are considered. Processions as a form of drama are then studied: typologies of processions; the elements common to drama and processions such as dialogue, action, and impersonation; the 'staging' (locations) and routes of processions; processional 'props' and trappings; processional music and dance, and finally participants and spectators.
引用
收藏
页码：127 / 142
页数：16
相关论文
共 31 条
[1]  
ANDRIEU M, 1948, ORIDINES ROMANI HAUT
[2]  
BAILEY T, 1971, PROCESSION SARUM WES
[3]  
BROOKS NC, 1933, J ENGLISH GERMANIC P, V232, P141
[4]  
Chambers E.K., 1903, MEDIEVAL STAGE
[5]  
CRAIG H, 1960, ENGLISH RELIG DRAMA
[6]  
FALCO BENEVENTO, CHRONICON
[7]  
Flanigan C. Clifford, 1974, U TORONTO Q, V43, P263
[8]  
FOLEY EB, 1990, FIRST ORDINARY ROYAL
[9]  
HALLINGER K, 1963, INSTITUTIO S ANGILBE, P283
[10]  
Hardison O. B., 1965, Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama
1234