Nature versus art as elicitors of the sublime: A virtual reality study

被引:27
作者
Chirico, Alice [1 ]
Clewis, Robert R. [2 ,3 ]
Yaden, David B. [4 ,5 ]
Gaggioli, Andrea [1 ,6 ]
机构
[1] Univ Cattolica Sacro Cuore Milano, Dept Psychol, Milan, Italy
[2] Gwynedd Mercy Univ, Dept Philosophy, Gwynedd Valley, PA USA
[3] Max Planck Inst Empir Aesthet, Frankfurt, Germany
[4] Univ Penn, Dept Psychol, 3815 Walnut St, Philadelphia, PA 19104 USA
[5] Johns Hopkins Med, Dept Psychiat & Behav Sci, Baltimore, MD USA
[6] Ist Auxol Italiano, ATNP Lab, Milan, Italy
关键词
AWE;
D O I
10.1371/journal.pone.0233628
中图分类号
O [数理科学和化学]; P [天文学、地球科学]; Q [生物科学]; N [自然科学总论];
学科分类号
07 ; 0710 ; 09 ;
摘要
The sublime-the mixed aesthetic experience of uplift and elevation in response to a powerful or vast object that otherwise is experienced as menacing-has nurtured philosophical discourse for centuries. One of the major philosophical issues concerns whether the sublime is best thought of as a subjective response or as a stimulus. Recently, psychology has conceived of the sublime as an emotion, often referred to as awe, arising from natural or artistic stimuli that are great, rare, and/or vast. However, it has not yet been empirically demonstrated whether two major elicitors of the sublime-nature and art-differ in inducing this state. In order to experimentally compare nature and art, we exposed 50 participants to sublimity-inducing content in two different formats (nature-based and art-based) using 360 degrees videos. We compared Vincent Van Gogh's The Starry Night with a photorealistic version of the actual place depicted in the painting, Saint-Remy-de-Provence. We measured participants' emotional responses before and after each exposure, as well as the sense of presence. The nature-based format induced higher intensity emotional responses than the art-based format. This study compares different sublime stimuli (nature vs. art) for eliciting the sublime.
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页数:10
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