Analytical Approach for the Study of Teotihuacan Mural Paintings from the Techinantitla Complex

被引:3
作者
Ruvalcaba-Sil, Jose Luis [1 ]
Barba, Luis [2 ]
Casanova-Gonzalez, Edgar [3 ]
Mitrani, Alejandro [1 ]
Munoz, Margarita [4 ]
Rangel-Chavez, Isaac [1 ]
Maynez-Rojas, Miguel angel [1 ]
Canetas, Jaqueline [1 ]
机构
[1] Univ Nacl Autonoma Mexico, Lab Nacl Ciencias Invest & Conservac Patrimonio C, Inst Fis, Circuito Invest Cient S-N,Ciudad Univ, Mexico City 04510, DF, Mexico
[2] Univ Nacl Autonoma Mexico, Inst Invest Antropol, Lab Prospecc Arqueol, Mexico City 04510, DF, Mexico
[3] Univ Nacl Autonoma Mexico, CONACyT Lab Nacl Ciencias Invest & Conservac Patr, Inst Fis, Circuito Invest Cient S-N,Ciudad Univ, Mexico City 04510, DF, Mexico
[4] Univ Nacl Autonoma Mexico, Posgrad Hist Arte, Mexico City 04510, DF, Mexico
关键词
pigments; wall painting; prospection; XRF; FORS; false color imaging; REFLECTANCE; MEXICO; IDENTIFICATION; PIGMENTS; BINDERS; RAMAN; DYES;
D O I
10.3390/min11050508
中图分类号
P3 [地球物理学]; P59 [地球化学];
学科分类号
0708 ; 070902 ;
摘要
Techinantitla building complex, in the Amanalco neighborhood of the ancient city of Teotihuacan, is famous for the iconography and quality of the mural paintings found in this site. A significant part of this heritage has been lost due to looting. In recent years, an interdisciplinary research project was developed to study the limited patrimony that was left. As part of this study, we first employed geophysical techniques to reconstruct the architectural pattern of the compound's remaining walls, where other paintings may still be found. Then, we applied a non-invasive methodology to characterize a large set of fragments recovered in the 1980s and to gain information on their pigments and manufacturing techniques. This methodology included False Color Infrared Imaging, X-ray Fluorescence and Fiber-Optics Reflectance Spectroscopy, and led to the identification of hematite, calcite, malachite, azurite and an unidentified blue pigment. The results were compared with a previous study performed on a set of Techinantitla mural paintings looted in the 1960s. A broader comparison with contemporary mural paintings from other Teotihuacan complexes shows good agreement in the materials used. These results may suggest a standardization in the making of Teotihuacan mural painting during the Xolapan period (350 to 550 AD).
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页数:21
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