Death-related publicity as informational advertising: evidence from the music industry

被引:7
作者
Brandes, Leif [1 ]
Nueesch, Stephan [2 ]
Franck, Egon [3 ]
机构
[1] Univ Warwick, Warwick Business Sch, Coventry CV4 7AL, W Midlands, England
[2] Univ Munster, Sch Business & Econ, Georgskommende 26, D-48143 Munster, Germany
[3] Univ Zurich, Dept Business Adm, Plattenstr 14, CH-8032 Zurich, Switzerland
关键词
Death-related effects; Advertising; Context effect; Publicity; Cultural markets; SALES; NOSTALGIA; REVIEWS; CONTEXT; PRODUCT; CHOICE; BRAND;
D O I
10.1007/s11002-014-9322-1
中图分类号
F [经济];
学科分类号
02 ;
摘要
The sales of books, DVDs, and music albums frequently increase substantially after the death of an artist. Yet, the mechanism behind this stylized fact remains unclear. In this paper, we examine whether after-death sales increases reflect primarily an affective reaction of existing customers or informative advertising for previously uninformed new customers. In our main study, we use weekly sales data for 446 music albums of 77 artists who died between 1992 and 2010. We show that album sales increase on average by 54.1 % after death and that the relative increase in sales is higher for the artist's better albums. This suggests that death-related publicity serves primarily as informational advertising that attracts new customers who buy the artist's best albums after death. Complementary evidence from a survey study with more than 2,000 participants confirms this interpretation and shows that information-based motives are relatively more important for after-death consumption than affect-based motives.
引用
收藏
页码:143 / 157
页数:15
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