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[21]
Anderson, Amanda, (1994) Tainted Souls and Painted Faces., pp. 395-397. , [See C93:1.] Rev. by J. L. Culross, Choice 31 (Mar. 1994): 1122
[22]
Rod Edmond, Dickensian 90.2 (Summer 1994): 132–34
[23]
Sally Mitchell, VR 20.2 (Winter 1994): 182–85
[24]
George Watt, Nineteenth-Century Literature 49.3 (Dec
[25]
Armstrong, Isobel, (1993) Victorian Poetry: Poetry, Poetics, and Politics., p. 545. , London: Rout-ledge passim, Explores the conjunction of aesthetics and politics in Victo-
[26]
Barolini, Helen, (1994) “The Italian Side of Emily Dickinson.”, pp. 461-479. , Virginia Quarterly Review 70.3 (Summer
[27]
Barrett, Dorothea, “Linguaggio e desiderio in ‘Aurora Leigh’.”, pp. 21-32. , Partilora, Dimen-sione “D” INotes that EBB distinguishes between the writer and her work, espe-
[28]
Barrett, Robert, A., Note on Barrett v Barrett (1994) BSN, 22, pp. 61-68. , Dec 1 Describes the forty-year-long legal dispute over property-land, money, and slaves-in Jamaica and England, with EBB's father at the center and roots extending back to her great-grandfather
[29]
Basham, Diana, Aurora Leigh and the Language of the Mother (1992) The Trial of Woman: Feminism and the Occult Sciences in Victorian Literature and Society., pp. 136-147. , New York: New York UP
[30]
Black, Barbara, J., The works on the wall must take their chance: A Poetics of Acquisition (1994) VP, pp. 1-20. , 32.1 (Spring