HOMEBOUND: THE ART OF PUBLIC SPACE IN CONTEMPORARY CUBA

被引：1

作者：

Duong, Paloma ^{[1
]}

机构：

[1] MIT, Dept Latin Amer Studies, Cambridge, MA 02139 USA

来源：

ARTMARGINS | 2017年 / 6卷 / 02期

关键词：

Cuban art; Post-socialism; apartment art; unofficial art; public space; informal culture;

D O I：

10.1162/ARTM_a_00175

中图分类号：

J [艺术];

学科分类号：

13 ; 1301 ;

摘要：

Despite the home's long history as a locus of cultural and political action in Cuba, serious studies of its informal residential culture are only now beginning to emerge. This article explores how the exhibition of art in private homes intervenes in debates about public space in Havana. It situates these exhibition practices historically with respect to the spatial politics of the Cuban Revolution of 1959, while mapping the reorganization of official and unofficial cultures after the demise of the Soviet bloc. Bringing into relief how these home exhibits problematize state and market alliances in the postsocialist context, I argue that these practices are doubly embedded in local as much as global polemics regarding the placeliterally and metaphoricallyof art today.

引用

页码：27 / 49

页数：23

共 26 条

[1]

[Anonymous], 2006, CUBISTA MAGAZINE

[2]

[Anonymous], 2002, BOUNDARY, V229, P215

[3]

Bellatin's Mario, 2006, PAJARO TRANSPARENTE

[4]

Boym Svetlana., 1995, Common Places: Mythologies of Everyday Life in Russia

[5]

Buck-Morss Susan., 2000, DREAMWORLD CATASTROP

[6]

Cadelo Claudia, 2008, OCTAVO CERCO BL 1017

[7]

Camnitzer Luis, 1994, 3 TEXT, V8, P147

[8]

Ceballos Sandra, 2016, HECHIZAMIENTO H 0103

[9]

Ceballos Sandra, 2004, ESPACIO AGLUTINADOR

[10]

de la Nuez Ivan, 2010, INUNDACIONES MURO GU, P54

← 1 2 3 →