The economy of live music in the digital age

被引：61

作者：

Holt, Fabian ^{[1
]}

机构：

[1] Univ Roskilde, Dept Commun Business & Informat Technol, DK-4000 Roskilde, Denmark

来源：

EUROPEAN JOURNAL OF CULTURAL STUDIES | 2010年 / 13卷 / 02期

关键词：

concerts; cultural economy; live music; live performance; media and performing arts; popular culture; CONCERT;

D O I：

10.1177/1367549409352277

中图分类号：

G [文化、科学、教育、体育]; C [社会科学总论];

学科分类号：

03 ; 0303 ; 04 ;

摘要：

Popular music culture has changed significantly with the diffusion of networked digital media in the late 1990s. The present article theorizes the concept of live music in light of those changes and develops the idea of a new economy of live music. The perception of concerts as live music is central, so this is explored conceptually and historically before outlining the main elements of the new economy. Two immediate elements are the new economic centrality of live music and the categorical change in concert ticket prices. Two other elements are the rise of new and renewed event genres and the broader dynamics of the digital information society. The article integrates perspectives of cultural and performance studies.

引用

页码：243 / 261

页数：19

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