Scoring Loss in Some Recent Popular Film and Television

被引:6
作者
Murphy, Scott [1 ]
机构
[1] Univ Kansas, Lawrence, KS 66045 USA
关键词
film music; television music; tonality; triadic harmony; triadic transformation; mediant triad; loss; sorrow; homology; James Horner; Cocoon; UNCANNY; MUSIC;
D O I
10.1093/mts/mtu014
中图分类号
J6 [音乐];
学科分类号
摘要
A certain tonally- and temporally oriented progression of two triads, dwelt upon usually through undulation, accompanies scenes depicting the contemplation of a considerable sorrowful loss in many popular films and throughout one television program produced between 1985 and 2012. In lieu of any strong stylistic precedent for this musico-dramatic association, certain structural relationships between the two triads relative to other triadic pairings may account for possible motivations of the association.
引用
收藏
页码:295 / 314
页数:20
相关论文
共 50 条
[1]  
[Anonymous], 2004, METAPHOR MUSICAL THO
[2]  
[Anonymous], 2011, Course in general linguistics
[3]  
[Anonymous], 2007, Music and Probability
[4]  
Boghossian P., 2007, PHILOSOPHERS MUSIC, P117
[5]  
Bordwell D, 2006, WAY HOLLYWOOD TELLS IT: STORY AND STYLE IN MODERN MOVIES, P1
[6]  
Bribitzer-Stull Matthew., 2012, The Legacy of Richard Wagner: Convergences and Dissonances on Aesthetics and Reception, P157
[7]  
Budd Malcolm., 1995, Values of Art: Pictures, Poetry and Music
[8]  
Buhler JamesDavid Neumeyer Rob Deemer., 2010, Hearing the Movies: Music and Sound in Film History
[9]   Neo-Riemannian theory and the analysis of pop-rock music [J].
Capuzzo, G .
MUSIC THEORY SPECTRUM, 2004, 26 (02) :177-199
[10]  
Clough John., 1957, Journal of Music Theory, V1, P2