Spectroscopic Investigation of Wall Paintings in the Alhambra Monumental Ensemble: Decorations with Red Bricks

被引:3
作者
Arjonilla, Paz [1 ]
Jose Ayora-Canada, Maria [1 ]
Jose de la Torre-Lopez, Maria [2 ]
Correa Gomez, Elena [3 ]
Rubio Domene, Ramon [3 ]
Dominguez-Vidal, Ana [1 ]
机构
[1] Univ Jaen, Fac Expt Sci, Dept Phys & Analyt Chem, Campus Las Lagunillas, E-23071 Jaen, Spain
[2] Univ Jaen, Dept Geol, EPSL, Campus Cient Tecnol Linares,Cinturon Sur S-N, E-23700 Jaen, Spain
[3] Council Alhambra & Generalife, Conservat Dept, E-18009 Granada, Spain
来源
CRYSTALS | 2021年 / 11卷 / 04期
关键词
wall paintings; Alhambra; portable Raman; SEM-EDS; red ochre; lime mortar;
D O I
10.3390/cryst11040423
中图分类号
O7 [晶体学];
学科分类号
0702 ; 070205 ; 0703 ; 080501 ;
摘要
The Alhambra Monumental Ensemble (Granada, Spain) is a unique well-preserved palatine city from the medieval Islamic period, and it constitutes the best example of Nasrid architecture. In this work, we focus on the study of one of its most unknown decorations: Wall paintings with the appearance of red bricks. These faux-brick decorations are found in many different locations within the Alhambra complex, including both exterior and interior walls, arches and vaults. We have considered locations from different Nasrid reigns to gain information about their characteristics in terms of materials, execution techniques and conservation state. They have been studied combining a non-invasive methodology using portable equipment (X-ray fluorescence (XRF) and Raman spectroscopy) with complementary studies on selected samples (Scanning Electron Microscopy-Energy Dispersive X-ray Spectroscopy (SEM-EDS) and Raman microimaging). In general, those located in the exterior are poorly preserved, in contrast with the good conservation state of the interior motifs. The red rectangles of these decorations were painted over a white finishing layer, which acted also as the edge lines between these false bricks. The red colour was always due to hematite (alpha-Fe2O3), as revealed by its characteristic Raman bands. The use of a natural red ochre pigment (very abundant in the region) could be hypothesised considering XRF and SEM-EDS results. In general, the white layer was made of lime mortar and the presence of CaCO3 in the painting layers suggests the use of lime-based techniques (either fresco or mezzo fresco). Only in one of the indoor locations, a different execution technique, based on gypsum (CaSO4 center dot 2H(2)O) plaster, was used. The identification of calcium oxalate in this location, in the form of weddellite (CaC2O4 center dot 2H(2)O), can be interpreted as the result of organic binder degradation. Furthermore, superficial contamination with gypsum was always detected in outdoor locations.
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页数:12
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