Measuring aesthetic emotions: A review of the literature and a new assessment tool

被引:226
作者
Schindler, Ines [1 ,2 ]
Hosoya, Georg [1 ]
Menninghaus, Winfried [2 ]
Beermann, Ursula [3 ]
Wagner, Valentin [2 ]
Eid, Michael [1 ]
Scherer, Klaus R. [4 ]
机构
[1] Free Univ Berlin, Dept Educ & Psychol, Berlin, Germany
[2] Max Planck Inst Empir Aesthet, Dept Language & Literature, Frankfurt, Germany
[3] Univ Innsbruck, Dept Psychol, Innsbruck, Austria
[4] Univ Geneva, Dept Psychol, Geneva, Switzerland
来源
PLOS ONE | 2017年 / 12卷 / 06期
基金
欧洲研究理事会; 瑞士国家科学基金会;
关键词
SEMANTIC SPACE; MUSIC; PLEASURE; NOSTALGIA; RESPONSES; ENTERTAINMENT; APPRECIATION; EXPERIENCE; ART; FICTION;
D O I
10.1371/journal.pone.0178899
中图分类号
O [数理科学和化学]; P [天文学、地球科学]; Q [生物科学]; N [自然科学总论];
学科分类号
07 ; 0710 ; 09 ;
摘要
Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest in such emotions, we still lack an assessment tool to capture the broad range of emotions that occur in response to the perceived aesthetic appeal of stimuli. Elicitors of aesthetic emotions are not limited to the arts in the strict sense, but extend to design, built environments, and nature. In this article, we describe the development of a questionnaire that is applicable across many of these domains: the Aesthetic Emotions Scale (AESTHEMOS). Drawing on theoretical accounts of aesthetic emotions and an extensive review of extant measures of aesthetic emotions within specific domains such as music, literature, film, painting, advertisements, design, and architecture, we propose a framework for studying aesthetic emotions. The AESTHEMOS, which is based on this framework, contains 21 subscales with two items each, that are designed to assess the emotional signature of responses to stimuli's perceived aesthetic appeal in a highly differentiated manner. These scales cover prototypical aesthetic emotions (e.g., the feeling of beauty, being moved, fascination, and awe), epistemic emotions (e.g., interest and insight), and emotions indicative of amusement (humor and joy). In addition, the AESTHEMOS subscales capture both the activating (energy and vitality) and the calming (relaxation) effects of aesthetic experiences, as well as negative emotions that may contribute to aesthetic displeasure (e.g., the feeling of ugliness, boredom, and confusion).
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页数:45
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