Subjective (Re)positioning in Musical Improvisation: Analyzing the Work of Five Female Improvisers

被引：0
作者：
Hannaford, Marc [1 ]
机构：
[1] Columbia Univ, Dept Mus, Dodge Hall, New York, NY 10027 USA
来源：
MUSIC THEORY ONLINE | 2017年 / 23卷 / 02期
关键词：
Feminist music theory; gender; improvisation; jazz; Shannon Barnett; Caroline Davis; Ingrid Laubrock; Linda Oh; Anna Webber; JAZZ; GENDER;
D O I：
暂无
中图分类号：
J6 [音乐];
学科分类号：
摘要：
This article analyzes the music of five female improvisers. I employ these women's lived experiences of discrimination as a basis for my analysis of improvisation in terms of what I call subjective (re) positioning. Given these women's experiences of discrimination, trust means something far richer than musically working together during performance. Trusting improvising partners create a conceptual space in which musicians are able to position and reposition themselves, thus expressing agency. Copyright (C) 2017 Society for Music Theory
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页数：26
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