The supplement to imagination in narrative. How Husserl complements Ricoeur

I apply Edmund Husserl's notion of "phantasma", which he sees as the support for pure imagination, to Ricoeur's understanding of a narrative of real facts or events. I argue, first, that the phantasma, which plays in pure imagination the same role as sensations in perception, allows us to visualize and experience what is recounted in a narrative; and, second, that this phantasma is analogous to the sensations of perceptions that observers had of these facts and events. This component of imagination in a narrative is precisely what allows a narrative to render facts and events "as they really happened."