The gaze of the flaneur in the cinema of the nouvelle vague

The present text tries to offer an approach to the filmic vision of the experience of the urban walker in front of the city that transits. For this, a series of fragments of films, encompassed within the French nouvelle vague stream, will be analyzed, taking into account the ways of contemplation of the city by various cinematographic directors and the creation of a particular aesthetic as a sign or author's mark. This research aims to understand how the city transit is as a discursive, poetic, contemplative and interactive process. It is also about understanding the representation and targeting model that different filmmakers use before their vision of the city.