Mediating "The Voice of the Spirit": Musical and religious transformations in Nigeria's oil boom

In this article, I examine a musical recording made by a Yoruba Christian church in the context of Nigeria's oil boom in the 1970s. I focus on the recording as a node of mediation: a site at which multiple forms of mediation converge to bring together institutional orders and individual subjectivities. Those responsible for the recording drew on meaningful cultural forms-in this case, religion, music, and electronic media-to make authoritative claims about morality and experience in the context of profound social change. I seek to understand how religious groups use media to create links between political-economic transformations and individual experience. [Nigeria, Christianity, mediation, music, religious authority, political economy].