Innovation and diversity in the digital cultural and creative industries

被引:24
作者
Snowball, Jen [1 ,2 ]
Tarentaal, Delon [3 ]
Sapsed, Jonathan [4 ]
机构
[1] Rhodes Univ, Dept Econ & Econ Hist, Grahamstown, South Africa
[2] South African Cultural Observ, Grahamstown, South Africa
[3] Rhodes Univ, Dept Econ & Econ Hist, South African Cultural Observ, Grahamstown, South Africa
[4] Newcastle Univ, Business Sch, Tyne, England
基金
英国艺术与人文研究理事会;
关键词
Creative industries; Innovation; Intellectual property; Diversity; INTELLECTUAL PROPERTY; PRODUCT DEVELOPMENT; POLICY; WORK; TRANSFORMATION;
D O I
10.1007/s10824-021-09420-9
中图分类号
F [经济];
学科分类号
02 ;
摘要
The cultural and creative industries (CCIs) are increasingly being recognised in South Africa, as in other countries, as wealth-creating, given appropriate investment, rather than primarily a non-market subsidized sector. However, national innovation policy is still predominantly focused on STEM (science, technology, engineering and mathematics) skillsets and related product markets. This paper analyses how the CCIs in the Cape Town cluster innovate by combining digital technology, creative inputs, and workforce diversity. Based on a similar study conducted in Brighton, UK, a cluster of innovative CCI firms was identified that are to varying degrees "fused", defined as combining digital technology and creative design in production. Fused firms have higher levels of innovation in business processes, goods and services. Fused firms were also more likely to employ demographically diverse people, adding insights from the South African mix to the UK studies on disciplinary diversity. While fused creative-digital firms employ greater diversity, a qualitative analysis of SA gaming and animation firms nevertheless demonstrates the challenges for improving diversity in a developing country context.
引用
收藏
页码:705 / 733
页数:29
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