THE SPLIT SUBJECT AND THE RESIGNATION TO THE NOVEL LIKE TOTALITY (FRAGMENTARY WRITING AND GENERIC HYBRIDIZATION IN THE VILA-MATAS'S WORK)

This article analyzes the deep connection between the disassembly of the modern concept of subject and the textual mechanisms put to work in Enrique Vila-Matas's novels, specially in his "metaliterary trilogy". Procedures as the fragmentary writing, the generic hybridization, the intertextuality or the autofiction, are put in the work of Vila-Matas to the service of the deconstruction a closed and monologic notion of the identity.