Metaphor and musical thought.

[1] [Anonymous], 1993, METAPHOR THOUGHT, DOI DOI 10.1017/CBO9781139173865.013

[2] [Anonymous], 2004, METAPHOR MUSICAL THO

[3] [Anonymous], 1971, STUDY COUNTERPOINT J

[4] [Anonymous], 1992, BRIGHT AIR BRILLANT

[5] [Anonymous], NEURAL DARWINISM

[6] Edelman GM, 1989, REMEMBERED PRESENT B

[7] Gibbs R.W., 1994, The poetics of mind: Figurative thought, language, and understanding

[8] Lakoff G., 2000, MATH COMES EMBODIED

[9] Forces, containers, and paths: The role of body-derived image schemas in the conceptualization of music [J]. JOURNAL OF MUSIC THEORY, 1996, 40 (02) : 217 - 243

[10] SASLAW JK, 1997, THEOR PRACT, V22, P17

[1] [Anonymous], 1993, METAPHOR THOUGHT, DOI DOI 10.1017/CBO9781139173865.013

[2] [Anonymous], 2004, METAPHOR MUSICAL THO

[3] [Anonymous], 1971, STUDY COUNTERPOINT J

[4] [Anonymous], 1992, BRIGHT AIR BRILLANT

[5] [Anonymous], NEURAL DARWINISM

[6] Edelman GM, 1989, REMEMBERED PRESENT B

[7] Gibbs R.W., 1994, The poetics of mind: Figurative thought, language, and understanding

[8] Lakoff G., 2000, MATH COMES EMBODIED

[9] Forces, containers, and paths: The role of body-derived image schemas in the conceptualization of music [J]. JOURNAL OF MUSIC THEORY, 1996, 40 (02) : 217 - 243

[10] SASLAW JK, 1997, THEOR PRACT, V22, P17