This article attempts to distinguish two kinds of secularization and mass culture in contemporary China by creatively deploying Hannah Arendt, Jurgen Habermas and other western thinkers' theories of secularization and modernity. It argues that, in the 1980s, China underwent a first process of secularization: that was characterized by liberating a secular society from the quasi-religious totalitarianism of the Cultural Revolution through the re-establishment of a civic society, which integrated individualism and publicness, with awareness of individual rights and rights for participation. The participation of new and self-disciplined rational individuals, who were concerned with pubic interests and issues. This essay takes Teresea Teng's popular songs as an important example of this first kind of secularization, as an attempt to demonstrate how the mass culture of the 1980s actively contributed to the construction of this new publicness. Since the 1990s, however, another kind of secularization emerged, one that did not care about the public world and others, but instead about material enjoyment and intimate private matters. Different from the religious path, this represents a way of abandoning the public world: it takes the form of a retreat into bodily/physiological happiness and one's secluded private world, leading to the development of a morbid narcissistic personality. This essay argues that these two kinds of secularization are the foundation and the starting point for us to understand the political effects of two kinds of mass culture.
