The Choreography of Gender Masculinity, Femininity, and the Complex Dance of Identity in the Ballroom
被引:10
作者:
Leib, Allison Yamanashi
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机构:
UC Berkeley, St Marys Coll Calif, Berkeley, CA 94720 USA
UC Berkeley, Robertson Neuropsychol Lab, Berkeley, CA USAUC Berkeley, St Marys Coll Calif, Berkeley, CA 94720 USA
Leib, Allison Yamanashi
[1
,2
]
Bulman, Robert C.
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机构:UC Berkeley, St Marys Coll Calif, Berkeley, CA 94720 USA
Bulman, Robert C.
机构:
[1] UC Berkeley, St Marys Coll Calif, Berkeley, CA 94720 USA
[2] UC Berkeley, Robertson Neuropsychol Lab, Berkeley, CA USA
The popularity of ballroom dance has ebbed and flowed over the years. In this article we argue that the attitude Americans have toward ballroom dance reflects society's acceptance and rejection of different expressions of femininity and masculinity. Although ballroom dance is predicated on rigid gender roles, its popularity has increased in the United States over the past few years. We use in-depth interviews and participant observation to explore how modem ballroom dancers express their masculinity and femininity on and off the dance floor. We find that men and women construct complex gender identifies that are both traditional and progressive. Some are creating gender identities incorporating traditional and nontraditional traits. Our interviewees reinforced this gender complexity and showed that no one is bound to one standard of masculinity or femininity. Rather, each person is free to choreograph his or her own gender identity.