Open Symphony: Creative Participation for Audiences of Live Music Performances

被引：35

作者：

Wu, Yongmeng ^{[1
]}

Zhang, Leshao ^{[1
]}

Bryan-Kinns, Nick ^{[2
]}

Barthet, Mathieu ^{[3
,4
]}

机构：

[1] Queen Mary Univ London, Media & Arts Technol Ctr Doctoral Training, London, England

[2] Queen Mary Univ London, Interact Design, London, England

[3] Queen Mary Univ London, London, England

[4] Queen Mary Univ London, Media & Arts Technol Studios, London, England

来源：

IEEE MULTIMEDIA | 2017年 / 24卷 / 01期

基金：

英国工程与自然科学研究理事会; 欧盟地平线“2020”;

关键词：

Visualization; -; Music; Surveys;

D O I：

10.1109/MMUL.2017.19

中图分类号：

TP3 [计算技术、计算机技术];

学科分类号：

0812 ;

摘要：

Most contemporary Western performing arts practices restrict creative interactions from audiences. Open Symphony is designed to explore audience-performer interaction in live music performances, assisted by digital technology. Audiences can conduct improvising performers by voting for various musical 'modes.' Technological components include a web-based mobile application, a visual client displaying generated symbolic scores, and a server service for the exchange of creative data. The interaction model, app, and visualization were designed through an iterative participatory design process. The system was experienced by about 120 audience and performer participants (35 completed surveys) in controlled (lab) and real-world settings. Feedback on usability and user experience was overall positive, and live interactions demonstrate significant levels of audience creative engagement. The authors identified further design challenges around audience sense of control, learnability, and compositional structure. This article is part of a special issue on multimedia for enriched music. © 1994-2012 IEEE.

引用

页码：48 / 62

页数：15

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