The gang's all here: Generic versus racial integration in the 1940s musical

被引:7
作者
Griffin, S [1 ]
机构
[1] So Methodist Univ, Dallas, TX 75275 USA
来源
CINEMA JOURNAL | 2002年 / 42卷 / 01期
关键词
D O I
10.1353/cj.2002.0021
中图分类号
J9 [电影、电视艺术]; I235 [电影、电视、广播剧];
学科分类号
摘要
The integrated musical of the late 1940s (led by MGM) often excluded minority performers in an attempt to create a utopian environment. In contrast, Fox's non-integrated musicals of the early 1940s negotiated a space for these performers, which, while problematic, created opportunities for individual agency.
引用
收藏
页码:21 / 45
页数:25
相关论文
共 85 条
  • [81] Zanuck D. F., 1947, GENTLEMANS AGREEMENT
  • [82] 1942, THOUSANDS CHEER
  • [83] 1943, PISTOL PACKIN MAMA
  • [84] 1943, THIS IS ARMY
  • [85] [No title captured]