The gang's all here: Generic versus racial integration in the 1940s musical
被引:7
作者:
Griffin, S
论文数: 0引用数: 0
h-index: 0
机构:
So Methodist Univ, Dallas, TX 75275 USASo Methodist Univ, Dallas, TX 75275 USA
Griffin, S
[1
]
机构:
[1] So Methodist Univ, Dallas, TX 75275 USA
来源:
CINEMA JOURNAL
|
2002年
/
42卷
/
01期
关键词:
D O I:
10.1353/cj.2002.0021
中图分类号:
J9 [电影、电视艺术];
I235 [电影、电视、广播剧];
学科分类号:
摘要:
The integrated musical of the late 1940s (led by MGM) often excluded minority performers in an attempt to create a utopian environment. In contrast, Fox's non-integrated musicals of the early 1940s negotiated a space for these performers, which, while problematic, created opportunities for individual agency.