The gang's all here: Generic versus racial integration in the 1940s musical

被引：7

作者：

Griffin, S ^{[1
]}

机构：

[1] So Methodist Univ, Dallas, TX 75275 USA

来源：

CINEMA JOURNAL | 2002年 / 42卷 / 01期

关键词：

D O I：

10.1353/cj.2002.0021

中图分类号：

J9 [电影、电视艺术]; I235 [电影、电视、广播剧];

学科分类号：

摘要：

The integrated musical of the late 1940s (led by MGM) often excluded minority performers in an attempt to create a utopian environment. In contrast, Fox's non-integrated musicals of the early 1940s negotiated a space for these performers, which, while problematic, created opportunities for individual agency.

引用

页码：21 / 45

页数：25