Contemporary Musical Logos

被引：0
|
作者：
Teixeira, William [1 ]
Ferraz, Silvio [2 ]
机构：
[1] Univ Fed Mato Grosso do Sul, Ave Costa Silva,s-n,Bairro Univ, BR-79070900 Campo Grande, MS, Brazil
[2] Univ Sao Paulo, Predio 6-R,Reitoria,215 Butanta, BR-05508900 Sao Paulo, SP, Brazil
来源：
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC | 2021年 / 52卷 / 02期
关键词：
contemporary music; musical performance; philosophy and music;
D O I：
暂无
中图分类号：
J6 [音乐];
学科分类号：
摘要：
This essay explores the meanings of logos, that is, the logical aspects of music. The discussion is divided into three main categories: the definition of music, the definition of musical discourse, and the definition of musical meaning. The combination of the three results in the general definition of what we understand as contemporary musical logos, fitting, therefore, the current status of the concept in philosophy (represented by philosophers such as Gilles Deleuze, Nicholas Wolterstorff, and Michael Polanyi) and music (especially musicology and musical composition). The main conclusion is that the logical aspect of music cannot be known today without an indepth analysis of its consequences in performance, as an intrinsic component of its concept.
引用
收藏
页码：173 / 201
页数：29
相关论文
共 50 条
12345